Baltimore Address Transom A restoration of a 130 year old Baltimore, Maryland stained glass address transom. Pamela glued many pieces with museum quality epoxy to save the original glass, which is stunning. The architect found it in the trash on the building site. Thank goodness he saved it and brought …
When the light pours through a stained glass window, the colors often reflect onto walls and floors. This known as a bouquet. Pam created the Macintosh Rose Address Transom for a 130-year-old home on Capitol Hill in Washington, D.C. The surprise for her was finding the gorgeous bouquet of colors …
Inspired by the fabulous font of the Paris Metro, this address transom was designed by Elizabeth Mitchel, of Finesse Design Remodeling. Pamela created the transom using vintage glass, combining golden iridescence, water glass, lavender and lush greens.
The beveled squares used in the entryway door and sidelights offer an elegant geometric design. The oval entryway windows feature lovely water and antique glass. Classic designs with a pink twist.
Pamela created a Victorian style stained glass for a client who designed a room specifically for this work.
Prairie Window Restoration A large 100 year old window with three separated panels was brought to Pamela. The client asked if she could make one large window panel. Pamela disassembled the old stained glass window, cleaned the glass like new, releaded, puttied and added patina. The photos show the journey.
Pamela teamed up with interior designer, Rose DiNapoli, to design the stained glass windows for a 100 year old home in Washington, D.C. The actual motif for the Fleur de Lis came from the Basilica in Lourdes, France, where they visited while taking a break from restoring the stained glass …
Using several thousand pieces of stained glass mosaics, Pamela created another Wildflower motif to hang as a large wall panel. It was created atop a mirrored surface to create depth and reflective light.
The commission for sidelights with the Wildflower mosaics will be used as entryway sidelights. The Art glasses flow through the spectrum of colors and look beautiful as light pours through.
The inspiration for this design came from perusing a stained glass catalogue printed during Victorian times. Pamela chose the lovely floral motif and expanded the design using repetion with connecting lines and ovals. Pale peach and green glasses contrast beautifully adjacent to the moss textured clear glass.
McLean Stained Glass Studios was commissioned by the Tanglewood Conservatories Company to restore a broken stained glass window due to 70 mph winds. These photos are a chronicle of the restoration. The Conservatory, the full restoration, and the installation.
A client requested a large interior panel to partition his patio office from his home. The design gives a nod to stained glass designs from the late 1800’s to the early 1900’s. The floral focal is a blue water glass. The border is a vintage beautiful Art glass.
Pamela designed this transom window with a nod towards Frank Lloyd Wright. The clients chose the color scheme for their 100 year old townhouse in Washington, D.C. which fits their entryway.
This laylight, inspired by the Arts & Crafts movement, was created to be installed in a ceiling above a staircase in a home built over 100 years ago.
A commission for a full restoration of an entryway door. Pamela suggested that adding a band of color would give it some interest, and the owner chose emerald green. The large handmade glass nuggets are beautiful and prismatic, as is the beveled border.
The large panel came to Pamela with broken glass and in need of a full restoration. The picture shows Pamela’s completed work, hanging in the client’s home.
A leaded glass entryway, sidelights and transom, was created with a very classic design. Using a very pale gray glass for the center diamonds gives an added dimension to the overall presentation.
Pamela created this address transom for a home in Washington, D.C. built in the 1920’s. The design is a mix of Edwardian and Arts & Crafts. The cobalt blue border is an exquisite deep color. And the two tones of amber help to define the floral motif. “Pamela, your carpenter …
When the Victorian transom was brought to Pamela, it was in a state of complete deterioration. The panel was over 100 years old and the lead was like tissue paper. The owner wanted it to be returned to its original glory and even enlarged by adding extra borders. Pamela began …
Pamela is creating fifteen Wildflower mosaic panels for a grand entryway McLean mansion in the Reserve. The sidelights and transom are comprised of 15 panels, separated by wood mullions. Each panel, when installed, will flow in design, one to another, creating the effect of walking into and out of a …
