Stained Glass Restoration
Each panel is examined carefully with a documentation in description, photos and templates. If the lead is not corroded, it is preserved. Otherwise, decomposed lead is removed and the panel is releaded and puttied. Broken panes of glass are replaced with glass that most closely matches. If a pane is cracked very slightly, the pane is preserved with a very fine line of copper foil and solder, unless the line is going to be detrimental to the design. The process of restoration is more detailed and labor-intensive than creating a new panel.
Stained Glass Restoration Project Chateau-Verdun, France I recently had the honor of beginning a large stained glass restoration project at the Chateau Gudanes in the south west of France. The project includes the restoration of two very large windows that are in the vestibule of the Chateau and two beautifully …
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Baltimore Address Transom A restoration of a 130 year old Baltimore, Maryland stained glass address transom. Pamela glued many pieces with museum quality epoxy to save the original glass, which is stunning. The architect found it in the trash on the building site. Thank goodness he saved it and brought …
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This lovely Victorian stained glass window is well over one hundred years old. Pamela replaced the disintegrating lead and broken glass to restore it to its original beauty.
Prairie Window Restoration A large 100 year old window with three separated panels was brought to Pamela. The client asked if she could make one large window panel. Pamela disassembled the old stained glass window, cleaned the glass like new, releaded, puttied and added patina. The photos show the journey.
McLean Stained Glass Studios was commissioned by the Tanglewood Conservatories Company to restore a broken stained glass window due to 70 mph winds. These photos are a chronicle of the restoration. The Conservatory, the full restoration, and the installation.
A commission for a full restoration of an entryway door. Pamela suggested that adding a band of color would give it some interest, and the owner chose emerald green. The large handmade glass nuggets are beautiful and prismatic, as is the beveled border.
The large panel came to Pamela with broken glass and in need of a full restoration. The picture shows Pamela’s completed work, hanging in the client’s home.
The diamond pattern is a classic pattern dating back to early English grand homes from the 16th century. It was more stable than square cut panes, hence used more often. The two panels were brought to Pamela, literally hanging by a thread. These are very old leaded glass panels feature …
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I was commissioned to restore this historically significant stained glass from the late 1800’s. When I received the window, it was extremely damaged and broken. It never fails to take my breath away when I see the stained glass returned to its original glory.
The Irises came to Pamela’s studio with broken pieces and deteriorating copper foil. Pamela redesigned the border irises, keeping with the integrity of the overall design. She then added a double border. The cobalt blue creates a wonderful juxtaposition of color abutting the floral design. The outer border was inspired …
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When the Victorian transom was brought to Pamela, it was in a state of complete deterioration. The panel was over 100 years old and the lead was like tissue paper. The owner wanted it to be returned to its original glory and even enlarged by adding extra borders. Pamela began …
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“A noble man who lost his son in the WTC on 911 came to me with this large stained glass that was all cracked and in shambles. As I worked on this full restoration project over these last few weeks, I wanted to do the best of my ability for …
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This window panel from around 1900 was brought to Pamela for restoration. She first removed it from a decomposing wood frame. The outer green glass border was covered with paint, panes were broken, putty was falling out and it was in need of an intense restoration cleaning. The panel is …
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I was commissioned to restore very significant historical stained glass panels that came from a a rowhouse on Capitol Hill. The home was built by one of Washington, D.C.’s most prolific architects, Charles Gessford (1831-1894). He was the most well-known architect in Capitol Hill in the late 19th century who …
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This beautiful lamp was given to Pamela to repair because some of the panes had cracked and needed replacing. The cranberry glass is stunning. And it is expensive because it is made with gold. But it is worth it when the lamp shade is illuminated!
Christian Fellowship Church Pamela was asked to repair two broken panes of glass in a beautiful and very large church stained glass panel. This was a very difficult challenge because the repair was to be done vertically due to the size of the entire panel. She brought her portable studio …
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McCormick & Schmick’s Restaurant This was a restoration project for McCormick & Schmick’s Restaurant. Many of the lamp’s panes were broken. They were removed and brought to Pamela’s studio where she was able to replace the broken glass panes with new and matching glass. They were then reinstalled and all …
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Restored Art Deco Panels Full restoration of two art deco panels. They are over 100 years old and 7 feet tall. Pamela completely dismantled the old panels, cleaned the glass panes, replaced the broken glass panes with antique glass and releaded the panels, restoring them to their original beauty. Then …
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This is a Victorian Panel that is over 100 years old, and was brought to us in a state of complete disintegration. The panel had belonged to client’s grandmother, and meant a lot to her. Not only was the lead in shambles but quite a few of the glass pieces …
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Another Restored panel in the Art Deco Style.
