The bevels, forming a circular floral motif, create a strong and beautiful focal for this Victorian style transom. The colors of muted orange and amber add beauty to the overall design, as does the use of two different textured clear glasses to emphasize the bevels. View this post on Instagram …
Pamela teamed up with interior designer, Elizabeth Mitchell of Finesse Design Remodeling. Elizabeth designed the beautiful Victorian styled window which is now installed in her client’s kitchen. Art glass was chosen which glows when the light pours in. View this post on Instagram A post shared by Pamela Joyce Wright …
Using several thousand pieces of stained glass mosaics, Pamela created another Wildflower motif to hang as a large wall panel. It was created atop a mirrored surface to create depth and reflective light.
The commission for sidelights with the Wildflower mosaics will be used as entryway sidelights. The Art glasses flow through the spectrum of colors and look beautiful as light pours through.
The inspiration for this design came from perusing a stained glass catalogue printed during Victorian times. Pamela chose the lovely floral motif and expanded the design using repetion with connecting lines and ovals. Pale peach and green glasses contrast beautifully adjacent to the moss textured clear glass. View this post …
McLean Stained Glass Studios was commissioned by the Tanglewood Conservatories Company to restore a broken stained glass window due to 70 mph winds. These photos are a chronicle of the restoration. The Conservatory, the full restoration, and the installation.
A client requested a large interior panel to partition his patio office from his home. The design gives a nod to stained glass designs from the late 1800’s to the early 1900’s. The floral focal is a blue water glass. The border is a vintage beautiful Art glass.
Pamela designed this transom window with a nod towards Frank Lloyd Wright. The clients chose the color scheme for their 100 year old townhouse in Washington, D.C. which fits their entryway.